bomb like tick tick ///

soniadubs:

Me when someone breaks my sleep.

indoxyl:

omg

bonvivanski:

claudia cardinale

Maison Martin MargielaInterview Magazine, September 2008
“Martin Margiela decided not to appear in the public eye. He wants the light not to be on him but on what really matters — the clothes, the philosophy, the Maison, the team. And now it’s become the landmark of the Maison. But what some consider a marketing strategy and a sort of snobbism is more like a sacrifice: He could have all eyes on him, and the glory and the fame. But instead he decided to step away, to let the garments and the Maison speak for him, for his love of what he does, and for the respect he has for his team. If people are touched and like to wear what we propose, then they are free to buy and wear it. What Martin Margiela looks like has, for us, little or nothing to do with this process. We prefer that people react to a garment through their taste and own personal style and not their impression of the individual or group who created it, as translated and hyped by the press. Unlike actors or singers, we do not need his physical form to express our work. The Maison Martin Margiela should exist independently of who he is, what he looks like, and any answer he, as an individual and member of a team, may have to any question not directly linked to the clothes.” - The Maison

savetheflower-1967:

Willy Ronis - University (1967)

crystalshades:

My photo! If this gets any notes, please don’t change the source and click through. x

vintagebinger:

Coco Chanel during one of her infamous inspections the night before a collection was shown. “[The models] had to endure interminable fittings without uttering a syllable, knowing only too well that Chanel would have remained deaf to their protests, deaf also to their fatigue and that of the tailors, while yet again she undid a jacket, cutting the stitches of an armhole that she would then redo right on the mannequin, using pins to reposition it point by point, all stuck in with an almost demonic thrust — and equally deaf to everything but the creative process that slowly was leading toward perfection.” Photo and quote from Chanel and Her World by Edmonde Charles-Roux.

dinnerwithannawintour:

Natasha for Gucci cruise 2008 by Craig McDean

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